ROLLING STONES 2026 FOREIGN TONGUES

ROLLING  STONES  - 2026  FOREIGN  TONGUES.

Foreign Tongues is the twenty-fifth studio album by the English rock band the Rolling Stones, released on 10 July 2026. Produced by Andrew Watt, the album features musical contributions from Steve Jordan, Darryl Jones, Steve Winwood, Robert Smith, Paul McCartney, Benmont Tench, Bruno Mars, and Chad Smith, among others.
 

TOO OLD

 

ROLLING  STONES  -  HACKNEY  DIAMONDS 2023 - Flac.

Yes they are still alive and well. Whether you like or not a new record is out a few days ago.

A brand new record with new songs from the LIVING LEGENDS even without the Heart 

of  CHARLIE WATTS (2 June 1941 – 24 August 2021)

Enjoy them while we still have them.

TOO OLD

ROLLING STONES -BRIDGES TO BREMEN

ROLLING  STONES  -  BRIDGES  TO BREMEN   2019. 

22  TRACKS 2 CD.

TOO OLD

 

ROLLING  STONES   -  HONK - DE LUXE EDITION  2019.

46 BEST EVER tracks !!

TOO OLD

THE  ROLLING  STONES   -   A  BIGGER  BANG  2005.

Let’s just get this out of the way: A Bigger Bang isn’t a good Rolling Stones album considering their age. It isn’t a good Rolling Stones album compared to their recent work. No, A Bigger Bang is just a straight-up, damn fine Rolling Stones album, with no qualifiers or apologies necessary for the first time in a few decades.

The sixteen songs on this disc, their first studio album in eight years, mark the closest collaboration between Mick Jagger and Keith Richards in ages — they wrote many of them nose to nose on acoustic guitars while waiting for Charlie Watts to recover from treatment for throat cancer. Whether fueled by their notorious competitive camaraderie or inspired by their oldest mate’s brush with mortality, the results sound like a genuine band effort — loose, scrappy and alive. A Bigger Bang recalls the best things about rough, underrated Stones albums like Dirty Work or Emotional Rescue, though it’s also impressively consistent.

R.Stone magazine 5-9-2005

TOO OLD

ROLLING  STONES - BLUE and LONESOME 2016.

On April 7th, 1962, three young Englishmen obsessed with American blues met for the first time, at the Ealing Jazz Club in London. Two of them – singer Mick Jagger and guitarist Keith Richards from an aspiring combo, Little Boy Blue and the Blue Boys – were attending a performance by the local blues scene’s leading troupe, Blues Incorporated, led by guitarist Alexis Korner. The third man, guitarist Brian Jones, was playing with Korner’s group, under the pseudonym Elmo Lewis. Three months later, on July 12th, Jagger, Richards and Jones made their live debut as the Rollin’ Stones at the Marquee Club, with bassist Dick Taylor, later of the Pretty Things, and pianist Ian Stewart, who would become the Stones’ devoted road manager and true-blues conscience.
Recorded  in just three days with co-producer Don Was at British Grove Studios in the London suburb of Richmond – almost spitting distance from the site of the Crawdaddy Club, where the Stones played a life-changing 1963 residency – Blue and Lonesome is the band’s first all-covers studio release since the 1964 U.K. EP The Rolling Stones, and the Stones’ first pure, straight blues record ever. It is also the working lineup of the world’s biggest blues band – with Wood in his 41st year as the new boy and bassist Darryl Jones as Watts’ co-anchor since 1993 – doing what comes naturally in a dozen songs mostly associated with sweet home Chicago: Reed, Howlin’ Wolf, singer-guitarist Magic Sam and especially harp master Little Walter, with four of his Fifties and Sixties singles here.

Blue and Lonesome is not a record of mere returning, a look back at how it all started. The Stones were already big time when some of these songs were released by the originators including Howlin’ Wolf’s 1966 threat “Commit a Crime” and Magic Sam’s defining version of “All of Your Love” on his 1967 landmark, West Side Soul. In fact, the younger Stones couldn’t have tackled Jimmy Reed’s 1957 lament “Little Rain” like the slow, advancing storm here. Watts comes in like stoic resignation, on brushed snare, under rolling clouds of guitar; Jagger fires lightning streaks of harp. It’s barely a song – six lines of determined yearning and time running out. But it is dense with lesson, a reflection of the grip and wisdom that, for every bluesman, only comes with miles and age.

Review by DAVID FRICKE editor at the Rolling Stone magazine.

TOO OLD